When art and culture meet, blending from different regions finding a common voice/language to interpret shared perspectives of identity, nationalism, femininity, cultural dynamism, displacement and belonging, they achieve a universality that appeals and relates to each and every 'community'. 'Melting Pot' is one such initiative that birthed in the minds of artists' Barbara Ash and Katarina Rasic in collaboration with Gayatri Gamuz and Pritam Bhatty.
"Melting
Pot – a place where many people and ideas exist together, often mixing and
producing something new." (Cambridge Dictionary definition)
The Artists
"Melting Pot” is the handle for a show
of paintings by four women artists of different nationalities all working in
India. Barbara Ash is an English artist who has been working on projects and shows in
India since 2007. She has had a solo show in Kashi Art Cafe in 2009 and had participated
in a collateral event "Interstices" at Hallegua Hall during the first
Kochi Biennale. Last year a Serbian artist friend of Barbara's, Katarina Rasic, and herself, had an idea to form a working artist collective and use their "international links" by connecting shows in India, where they worked, with their home countries, creating a travelling show of paintings under the
subject "Melting Pot". They wanted artists operating from a
strong female perspective. They both loved the work of Gayatri Gamuz, a Spanish
artist, who has been living in India for 20 years, and happens to have had exhibited in Kashi Art Cafe as well and they were happy that she became the third artist to join the
group. Then a mutual artist friend, Moutushi Chakraborthy - Kolkata-based print-maker and curator, connected them to Pritam Bhatty, a native
Indian with an eclectic heritage, with descendants from the British Raj, the
Netherlands & Sri Lanka. They loved her work as well as they had a common ground there and were happy to include her as the fourth artist.
Barbara Ash and her work 'Foreigners'
Foreigners (after Marlene Dumas), 2016
Watercolour, acrylic, canvas, 32 inches x 40
Katarina Rasic and her work 'Heart of the City'
Heart of the city (City in the heart), 2016
Acrylic and oil on canvas, 36x24 inch
Gayatri Gamuz and her work 'Girls posing for a painting in my studio in 2015'
‘girls posing for a painting in my studio in 2015’, 2016, Oil on canvas,
8x6 inches,
‘my family posing for a family portrait for my brother’s wedding
in 2011’, 2016, digital print on canvas ,8x6 inches
Pritam Bhatty and her work 'Grandma'
Grandma, 2016
Watercolour, gouache, canvas 20"x 24"
The Theme and the Binding Factor
The project provides a platform to look at
the particular language of women artists working in a contemporary representative
painting tradition. Barbara and Katarina haven't actually seen all the finished works yet as they
were still in progress at the time of writing, so it will be an exciting experience
to see them all together, and also they had never met two of the artists. The
contact has been through the internet, so it will be an interesting
experience to meet the artist behind the art on the day of the show. It's the strength of personality & the originality in their work, and the
fact that they have a lot of professional experience & seemed very talented and accomplished artists that brought them together. "Looking back it was a leap in the dark and a lot of faith for all of us on some levels," says Barbara Ash.
The artists all worked independently to their own individual interpretation of the theme of "Melting Pot" with their own histories and approaches and subsequently the exhibition explores a multitude of issues including female identity, cultural dynamics, ideas of belonging and home. They had similar concerns and ideas and worked on subjects of childhood, and explorations through family photos. Coincidentally there are two strands of concern in the artworks that follow issues currently prevalent in the media, there is a lot of debate and controversy around the area of national identity; "what it means to be an Indian", and the recent groundswell of energy around women's rights/female empowerment. Then as a secondary issue Barbara realized that they were all foreigners in India. "So that was an interesting prospect - would that be a significant factor or not? Interesting to gauge." There was already work coming from a strong female perspective so that was the prime motivating factor for Barbara and her artist friends, but then the cultural fusion became an angle too.
The artists all worked independently to their own individual interpretation of the theme of "Melting Pot" with their own histories and approaches and subsequently the exhibition explores a multitude of issues including female identity, cultural dynamics, ideas of belonging and home. They had similar concerns and ideas and worked on subjects of childhood, and explorations through family photos. Coincidentally there are two strands of concern in the artworks that follow issues currently prevalent in the media, there is a lot of debate and controversy around the area of national identity; "what it means to be an Indian", and the recent groundswell of energy around women's rights/female empowerment. Then as a secondary issue Barbara realized that they were all foreigners in India. "So that was an interesting prospect - would that be a significant factor or not? Interesting to gauge." There was already work coming from a strong female perspective so that was the prime motivating factor for Barbara and her artist friends, but then the cultural fusion became an angle too.
The Travelling Show
As
Gayatri and Barbara both have histories of exhibiting in Kashi; there is already a
strong connection there. According to Barbara it's a great venue where many renowned artists have exhibited. "With the advent of KMB - Kochi Muziris Biennale, Kerala has fast become a vibrant Art
center to be reckoned with, so it seemed a perfect choice to launch the 'Melting
Pot' tour in Kochi." They are excited to have six dates already confirmed, starting from Kashi
Art Gallery.
In Barbara's words, "With
the "Melting Pot" enterprise it is significant in that there is no
curator, organisation or funder "pulling the strings" and
setting-steering the agenda. It exists independently as an artist's
"brainchild" and is propelled by mere energy and determination. This
is the first initiative of this kind and on this scale that Katarina Rasic and
I have managed and we are very lucky to work with some wonderful artists
and to have some great galleries/organisations hosting us and are keen to have
new collaborations further down the line in new venues and different countries
following the "Melting Pot" dynamic..
I have been doing shows in India for a few years & had been wanting
to do artist exchange projects for a while & had been involved with a few
projects that didn't, for various reasons, come to fruition. Katarina
worked on a few projects in India , more in the performance art field
(Art Adda- a project supported by IFA), and she was looking for a project which
would connect her home country with India, so things fell into place with
Melting pot. Working with Katarina made things easier, she's very dynamic
& forward-thinking & we were both keen to connect up artists working in
India with venues in our home countries & get an international tour going.
Once we got the first venue secured it became easier & then I think the
other artists realized we were serious!!!"
The dates and shows:
KASHI ART GALLERY, Kerala, South India, April 2016
SUBLIME GALLERIA, Bangalore, South India, May 2016
KOMBANK ART HALL, Belgrade, Serbia, July 2016.
NEHRU CENTRE, the cultural wing of the Indian High Commission, London, U.K, July 2016
GALLERY BEYOND, Mumbai (Dates TBC)
SERBIAN EMBASSY, London, July 2016
SUBLIME GALLERIA, Bangalore, South India, May 2016
KOMBANK ART HALL, Belgrade, Serbia, July 2016.
NEHRU CENTRE, the cultural wing of the Indian High Commission, London, U.K, July 2016
GALLERY BEYOND, Mumbai (Dates TBC)
SERBIAN EMBASSY, London, July 2016
