I
don’t have a routine or a studio, therefore explaining my creative day is a
difficult task, expressing what inspires
me is what I will aim for. The street is my studio. Scavenging for long-forgotten
treasures in the busy markets stir my imagination; letting the cold water of
the ocean touch my feet while I compare the sound of snow with the sound of sand
under my feet. Saying goodbye with my
art to one home, so another could welcome me.
When
I decided to change my life and leave my permanent home, which was the moment when
everyday devoured me; MONOTONY ruptures
life, I decided to resist it and started the journey of a lifetime.
“MONOTONY
ruptures life...”
Still from the performance The Inside Story (Processes. Emotions. Food), Encounters, ArtO2, Mumbai, India, November 2017
Interestingly,
my journey began in India, Bangalore to be more precise. I felt great creative energy and decided that I want to move. The movement will be my permanency and my driving
force in creative expression.
In extension to my creative
practice and as my everyday creative process is teaching, from the start, I
felt it as an extension of one another. The teaching imposes questions that I
often take into my art practice, it pushes me to experiment in my own work and
creativity of the kids always brings new ideas into the process. My days
are different from one to
another and each place brings a new excitement of the discovery.
“The movement will be my
permanency and my driving force in creative expression.”
Mumbai
took my heart the first time I landed in the city. I knew I never wanted to leave.
Do we call it home though we weren’t born there? Every time I travelled out I
was eager to come back, I missed the stuffy smell of the streets. Humid touch
on my skin, noise and business, Mumbai was like a living creature with a heart
pumping fast, never stopping, never getting tired. I never saw a city like
that, energetic, always on the go, sweaty and busy, loud and grumpy, shiny and
excited in the nights and lazy and quiet in the mornings. I always found
endless inspiration on the streets of Mumbai. I collected water from the
potholes of the city to create art, bathed in the sea to make a conversation
with the city and collected the memories of the people living there, but it was
time to leave.
“I knew I never wanted to
leave. Do we call it home though we weren’t born there?”
I
landed on the opposite side of the world in Rio de Janeiro, around a year ago
from now. Rio shook the ground under my feet, uprooted me, and then stole my
heart. It was a place that deeply changed me, I would say my entire art
practice too. It made me question my work and look into my creative expression. I
always say the point when creativity starts is when we are out of our comfort
zone but are we ever really move out of it? How do you go out of the comfort zone,
when you are the one deciding on the move? Well, I learned how in Rio. I learned how
to dance on the waves of the ocean. inquired into my art, and started breaking it
to build new ideas.
Moving
from city to city brings a new set of questions, interests and gives us new
pieces of the puzzle. Now
when I am in Bangkok, again there is no routine, each day floats to another,
some are there to inquire and discuss, others to create and reflect. Exploring and learning about new places and
cultures impact my work greatly.
“Moving from city to city brings a new set of questions, interests and gives us new pieces of the
puzzle.”
Last but not the least, I like to have a good set of
markers and sketchbook with me at all times, this is very important when traveling around. But to a great extent, my work is impacted by the experiences
and objects I find on the streets, which I use in performances or as a driving force to come up with ideas for my work, slowly going from more
physical creation of the work to the exploration of the concepts and ideas to be
transformed into performances.
“The only constant is change.” said Heraclitus, which is a creative process
in itself, I say.
About the Artist: Katarina
Rasic is a Serbian artist living and working in Bangkok. She spent 5 years in
India and a year in Rio de Janeiro, Brasil. Rasic’s performances and paintings
stem from her personal experiences
and actions. Her performances draw us into the repetitive ritual-like practice,
where her body becomes an introspective tool to unearth notions of home, belonging
and identity deeply rooted in our
collective memories.
This is the third episode of the mini-series "My Creative Day". You can check out the FIRST and SECOND one by clicking on the link.
Thanku Deepa for this thot...feel like an imaginary thread connecting from various corners to form a beautiful something!
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