Showing posts with label Kerala. Show all posts
Showing posts with label Kerala. Show all posts

Sunday, May 8, 2022

Kerala Lalithakala Akademi Annual State Awards and Exhibition 2021 and The Covid Series

The Evening

On a warm and humid evening, like any other evening, I was in Kochi after a span of two and half years breathing a familiar air in one of my favourite places in Kochi where I had exhibited several times before. This time it was different in ways I couldn’t imagine as I was receiving my first ever State Award – Honourable Mention Award – in a grand ceremony from Sri Saji Cherian, Honourable Minister of Cultural Affairs, Kerala State and many other dignitaries, creatives, friends and family.

After Covid lockdown and everything going under as far as the public and social events was concerned, this was a revival of art. The celebration of art was two-fold as this was the 50th year of the State Award and Exhibition and 60 years since the Kerala Lalithakala Akademi’s inception.

Award Winning Work - We're Islands-Self Portraits-IGNITE series-Deepa Gopal-Watercolour-15x15cm each-2020-HuesnShades
"We're Islands-Self Portraits" - IGNITE series-
Deepa Gopal-Watercolour-15x15cm each-2020




Sri Saji Cherian, Honourable Minister of Cultural Affairs, Kerala State -HuesnShades
Sri Saji Cherian, Honourable Minister of Cultural Affairs, Kerala State 

Welcome address by Sri Murali Cheeroth, Chairman, Kerala Lalithakala Akademi-HuesnShades
Welcome address by Sri Murali Cheeroth, Chairman, Kerala Lalithakala Akademi

Lighting the lamp-HuesnShades
When I was beckoned to Light the lamp


The Stage

The ceremony was moved to a bigger space, unlike the previous years, in the presence of a larger crowd and a grander arrangement. The center stage of the Award ceremony was impressive in its scale with the white typography of this year’s title covering most of the backdrop on a grey palette. Minimal décor with some clustered flowers in the foreground that soothed the eye.

The Chairman, Sri Murali Cheeroth (Read interview Part 1 and Part 2), with a strong vision had put his best foot forward with the Secretary, Sri Balamuralikrishnan, and their steadfast team. The changes were impressive and gladly visible in each and every detail as well from the way the staff was dressed to the display of all the artworks that were in sync with the white and mounted frames. The noticeable one is the entry of New media into the esteemed gallery. The memento had undergone a makeover as well. We were presented with the title-printed tote bags, the stunning catalogue and a plant (yes, a plant. I think it’s a beautiful gesture – a symbol of growth, prosperity and going green and sustainable).

Having a different vantage point from the stage was unique and sharing it with esteemed guests par excellence was a cherished and memorable experience.

Receiving the Honourable Mention Award from Sri Saji Cherian, Honourable Minister of Cultural Affairs, Kerala State -HuesnShades
Receiving the Honourable Mention Award from Sri Saji Cherian, Honourable Minister of Cultural Affairs, Kerala State 


The music by violinist Sabaressh Prabhakar and folksy fusion by the music band ReSatrippin’ was an incredible treat and delight.

Violinist Sabareesh Prabhakar and ReSaTrippin' singer, Resmi Satheesh-HuesnShades
Violinist Sabareesh Prabhakar and ReSaTrippin' singer, Resmi Satheesh


The Jury

The jury was led by the internationally recognized artist Prabhavathi Meppayil and included renowned artists like Manisha Parekh, Atul Bhalla, Babu Eshwar Prasad and Aziz T M.

The Exhibits

I found some amazing works in this year’s exhibition as well, obviously. All the Award-winning works were a treat to the senses and so were many others exhibited there. I can only imagine the Jury’s plight! It definitely was an inspiration galore for me.

Each work is a journey – of not only the artist but also of the viewer and they correlate, coerce and collide at instances forming a bond and that is what each artist looks forward to. A path that perhaps leads on to other paths or at times a cul de sac (a dead end) and even the story remains.

The new media was a whole new category rightly included to suit the current times in the exhibition but unfortunately, I couldn't see that part of the exhibition and I had to travel back the next day.

My Work

I received the Honourable Mention Award for “We’re Islands – Self Portraits” (a series of 10 paintings), my mindscapes. They present distinct, dreamlike, introspective-emotional states or mindscapes - a term that I coined to call my paintings that portray the feminine psyche from a strong female presence and perspective. It deals with feminine states of being in one with the environment, contemplative and surrealistic along with their internal and external struggles. My works feature dreams, visions, myths, memories, people, their tales, emotions and unbridled feelings to form different layers. I suffer from fibromyalgia and the pain speaks in some layers.  In a society that is consumed by fake realities, we are prone to alienation and a feeling of otherness even among our own. Women being ‘emotional nomads’ we navigate adapting ourselves through various circumstances just to survive. My protagonists create parallel realms - a refuge and value detachment and solitude amid ‘an environment.’

"We're Islands - Self Portraits" was part of the IGNITE-from within the confines- that I curated during the pandemic in 2020. If you had been following my works, you may remember that.

"We're Islands - Self Portraits" my Award-winning work-HuesnShades
With "We're Islands - Self Portraits"
my Award-winning work

With my parents - Visalakshi and Gopalakrishnan, and my brother, Dileep Gopal-HuesnShades
With my parents - Visalakshi and Gopalakrishnan, and my brother, Dileep Gopal


Sri Murali Cheeroth, Chairman, Kerala Lalithakala Akademi-HuesnShades
Sri Murali Cheeroth, Chairman, Kerala Lalithakala Akademi


With my parents and Sri Balamuralikrishnan, Secretary, Kerala Lalithakala Akademi-HuesnShades
With my parents and Sri Balamuralikrishnan, Secretary, Kerala Lalithakala Akademi


Stirring Interest

The works that stayed with me are Jayesh Barsati’s Soliloquy in Covid Time, watercolours of the husband and wife duo – Shajith and Smitha Babu, Untitled pen and ink works of Sudayadas, Rahul Balakrishnan’s Daily Life Circus – all State Award Winners, Biji Bhaskar’s Love Lives in the Village (V Sankaramenon Endowment Gold Medal), Akhil Mohan’s Rice Series 27, Abdulla P A’s Rusting Memories (both Honourable Mention), K S Anandapadmanabhan’s sculpture (Special Mention) and all the Award and Special mention works. The other works that piqued my interest were that of Sara Hussain, Tito Stanley, Blesson Bernard, G Unnikrishnan, Helna Merin Joseph, Anu Rajan, Sabitha Kadannappally, Aswathi Prakas, Anupama Alias, Sruthi S Kumar, Bijimol, Babitha Rajiv, Varghese Kalathil, Ameen Khalil, Rejani, Asokan Adipuredath, Meethu Mohan, Rajendran Pullur, Sarath K S, Sarundas Cherukattil, Shasna Majeed, Shilpa T K, P G Sreenivasan, Sreevalsan and Vishnu C S.

I did hear and see some reels on Instagram of the interesting new media works. I have to mention the increased participation of the students and the energy they exhibit is incredible. Kudos to the new and the young!

There are many more you can find once you visit Durbar Hall Art Gallery. Take your time and do visit.

Award winners and Dignitaries-HuesnShades
Award winners and Dignitaries


The Travel

I had been to Kochi just for the ceremony held on 25 April. The stay was arranged by the Akademi in a nearby hotel and delicious food was served behind the gallery itself in a makeshift serving area. I was back in Dubai on 26th by afternoon. So the whole process of travelling, staying, attending the ceremony, walking through the exhibition, meeting family and friends, getting to know new people and rushing back to Dubai all seemed like a dream. After reaching back, I did wonder whether it really did take place or was it something I conjured up.

 

The State Exhibition is on until 12 May 2022 at Durbar Hall Art Gallery, Kochi. Please do visit and leave your feedback through comments. Click a selfie with the artworks and post it on Instagram tagging the artist and the Kerala Lalithakala Akademi.



Sunday, February 6, 2022

Kerala Museum Goes Digital!

 

KM-MNF_GA&C_Flying Horses, Sleepy Tigers and Colossal Crows
From Flying Horses, Sleepy Tigers and Colossal Crows


From a time when one could access art only on the walls of the white cube to a time when it has become easier to access with a few taps of your fingertips, art and technology have come a long way. Google Arts and Culture is a platform where one can access almost all exceptional museums and galleries with its high-definition images where one can view all artworks up and close like never before. Our very own Kerala Museum has joined those ranks, the first of its kind from our zone and what makes it even more accessible is that it is bilingual taking into account the regional audience as well. Thanks to the recent partnership between Kerala Museum and Google Arts and Culture.

The virtual exhibition was inaugurated and opened by the esteemed Chief Guest, Mr. Shashi Tharoor, Member of Parliament of Thiruvananthapuram, on 22 Jan 2022. Other session speakers were Dr. Venu Vasudevan, Additional Chief Secretary to the Government of Kerala, Prof. K.T. Ravindran, Urban Designer, Trustee of Madhavan Nayar Foundation, Prof. Gulammohammed Sheikh, Artist in Conversation Discussant, Prof. Anshuman Das Gupta, Artist in Conversation Moderator and the Museum Director, Aditi Nayar.

Over two hundred artworks from the Kerala Museum Madhavan Nayar Foundation Collection are on view on Google Arts & Culture from the comfort of your home on your devices.

Virtual opening on 22 Jan 2022
image: Kerala Museum Instagram


Shashi Tharoor, Member of Parliament and Chief Guest at the launch of the Kerala Museum on Google Arts & Culture said:

It is a delight to launch the Madhavan Nayar Foundation’s Kerala Museum, a repository of the state and nation’s artistic genius, on a global platform like Google Arts & Culture. In addition to the use of the latest in technology, I deeply appreciate the effort that has gone into making the digital collection available in Malayalam and English. Such measures showcase the foundational stories of our country and culture, and remind us that the vitality of collaborations depends on a plurality of conversations.

Ten Digital Exhibits

Kerala Museum has developed ten specially curated virtual exhibits for online visitors. They tell the story of India’s most prominent art movements in the 20th Century, notably The Bengal School and Santiniketan, the Bombay Progressives and the Baroda School. The digital experiences explore the practice of Indian artists and artist collectives against the backdrop of the nation's historical and cultural atmosphere.

Diversity and Individuality: Experiments in 1960’s Calcutta: Speaks about the establishment, evolution and progress of the Society of Contemporary Artists that laid the foundation for a strong printmaking tradition in the 1960s. The collective celebrated its Golden jubilee with an exhibition in Kolkatta in 2009.


Flying Horses, Sleeping Tigers, and Colossal Crows: Objects of Admiration and Allegory: Fantastical beasts and birds inhabit strange, whimsical worlds taking the viewers into an unbelievable and yet authentic realm where one could see and imagine what might lie beyond our “normal” powers of perception.


Emergence of Indian Modernism: Santiniketan and the Bengal School: Santiniketan and Bengal School of Arts that moulded and expanded the Indian art scene during the early 20 century and added flavor and passion to the Nationalist Movement in the fight against the British Rule is focussed here. The era of Rabindranath, Abanindranath Tagore, Jamini Roy, Nandalal Bose, K G Subramanyan, Benode Bihari Mukherjee, Ram Kinkar Baij, Asit Haldar and the other veterans.


The Bombay Progressives: Breaking New Ground at the Dawn of India’s Independence: The Bombay Progressives at the dawn of a Free India and their effort to modernize the new Indian art scene with the Progressive Arts Group forming and disbanding within a year and yet having a lasting impact is what’s showcased here. Stalwarts like MF Hussain, F N Souza, S H Raza, H A Gade, Akbar Padamsee, Krishen Khanna, and Ram Kumar enriched the art scenario.


Rama Varma, Artist Thampuran: Explores his works and his contribution to the Kerala’s art heritage establishing the renowned Raja Ravi Varma College of Fine Arts in Mavelikkara. Following his illustrious father’s style and his contributions as a teacher and activist, he has left behind an impressive legacy.


Women Artist in the Kerala Museum Collection: Includes Mangala Bai Thamburatti- sister of Raja Ravi Varma, Aparna Caur, Naina Dalal, Rini Dhumal, Jayasri Burman, Prabha and Rekha Rodwittiya exploring and articulating the gender issues and feminine intentions. I would love to see this collection grow and am sure that it would do so under the able hands of Aditi Nayar.


Travancore Painters: Within and Beyond the Court: This story mentions the court painters like the illustrious Raja Ravi Varma, Mangala Bai (who worked as a “hobby” because of her gender), Madhava Warrier, Sekhara Warrier, Neelakantan Pillai. Not to mention the effort of Ravi Varma to mass-produce his works that helped change the national aesthetic and artistic sentiments.


For Some, For All: Pioneers of Printmaking in India: From Raja Ravi Varma who mass-produced his works to Nandalal Bose who introduced it in Kalabhavan to Somnath Hore who influenced the Society of Contemporary Artists like Sanat Kar and Lalu Prasad Shaw who paved vital inroads in printmaking in the 60s.


Rhythm, Flow and Line: Where Dance and Painting Meet: Sudhir Katsgir and Shiavax Chavda’s energetic and rhythmic strokes capture the classical beauty in its dance forms. Though there are only a few works in this section, it turned out to be one of my favourites for its brevity, simplicity, and packed energy. One of my favourites among the ten.


Eyes, Windows into the Soul: The Maya of Sanat Kar: One of the founding members of the Society of Contemporary Artists he revolutionized printmaking by using techniques like cardboard intaglio and sun mica printmaking. The focus of his work was the wide-open soulful eyes and he explored the theme of “Maya” – illusion. 


Reverie - Raja Ravi Varma/ Study of Cave No:2, Ajanta Caves - Nandalal Bose
image:Kerala Museum


Get up close with ultra-high resolution images

Many hidden gems of modern Indian art, like The Portrait of a Man by Lalu Prasad Shaw can now be viewed in never before seen definition thanks to Gigapixel technology, a powerful photo-capturing process, which has enabled the highest ever resolution image of this feature. Viewers can explore the painting in extraordinary detail and experience it far beyond what is visible to the naked eye, such as the precise geometric pencil strokes Shaw uses to provide depth in his paintings. Nandalal Bose and Raja Ravi Varma acknowledged as amongst the Navaratnas of Indian Art, are amongst the treasures of the Kerala Museum that have been digitized with Gigapixel technology. Nandalal’s ink drawing of The Buddha’s mother Maya (Untitled) is a study of Cave No. 2 at the Ajanta Caves and sheds light on his keen interest in frescoes and their influence on his distinctive visual style. Varma’s Reverie shows how the master skillfully uses the scumbling technique to render the fine translucency of the cotton Kerala kasavu saree.

These immersive online stories can also be experienced on the Kerala Museum’s website,

Special mention to the earnest efforts of Smt. Geeta Nair for the translations from English to Malayalam. A postgraduate in English Language and Literature and 30 years of teaching experience, Smt. Nayar has translated several works from Malayalam to English and vice versa.

Kerala Museum-Edapally-Kochi
image: Kerala Museum


About Kerala Museum

The Kerala Museum is located at the heart of Kochi city in Kerala. Managed by the Madhavan Nayar Foundation, its core objective is to provide interactive, engaging and experiential arts and history-based learning.

The Museum is a vibrant beacon of the arts, powered by in-house curation and collaborations with NGOs working across a spectrum of social issues. Through its programs, it aims to actualize the potential of the “Museum as an instrument of social change”, thereby influencing critical thinking and tolerance towards the world around us, and better citizenship. With a 37 year-long track record as a non-governmental initiative providing authentic learning experiences in history, fine arts and performing arts, the Museum has hosted over half a million visitors and ignited the minds of school children from over 5000 schools from all over India.

Google Arts & Culture

Google Arts and Culture was launched in 2011 as Google Arts Project with virtual art tours, high definition close-up views of artworks and artifacts of cultural organizations and institutions across the world, even landmarks and streets, audio-visual contents, pet portraits powered by AI, Games, etc. You can browse by artists, art movements, historic events and even mediums.

National Museum-New Delhi, National Gallery of Modern Art, Archeological Survey of India, Raja Ravi Varma Heritage Foundation, Dastkari Haat Samiti, Museum of Modern Art, Smithsonian’s National Museum, Rijksmuseum, Van Gogh Museum, Musee d’Orsay, Museo Frida Kahlo, Tate Britain, Tokyo National Museum, State Russian Museum and many more are available for view.

Google Arts & Culture puts the collections of more than 2,000 museums at your fingertips. It is an immersive way to explore art, history and the wonders of the world, from Van Gogh’s bedroom paintings to the women’s rights movement and the Taj Mahal.

The Google Arts & Culture app is free and available online for iOS and Android. Their team has been an innovation partner for cultural institutions since 2011. They develop technologies that help preserve and share culture and allow curators to create engaging exhibitions online and offline, inside museums.



To sum it up, this is what Aditi Nayar, Director of Kerala Museum has to say:

Our new partnership with Google Arts & Culture creates an excellent opportunity to inspire and delight a global audience, and illustrate our collection's importance. To further expand our reach, and to make the collection uniquely accessible, we have made it available in English and Malayalam. This will be the first collection of its kind from Kerala to harness the Google Arts & Culture platform’s multilingual capabilities, enabling users and learners, whether on a large screen or a mobile device, to intuitively search and experience art in Malayalam and English. The ultra-high-resolution digitization of almost two hundred of our artworks using Gigapixel technology has created a resource-bank on modern Indian art the likes of which exists nowhere else. We look forward to inviting students and scholars from across Kerala, India and the world, to experience our collection’s highlights and hidden gems, offline and online.

Aditi Nayar

Aditi Nayar: Born in Cochin, educated at St.Xavier’s College, Bombay, Chelsea College of Art and then at the Wimbledon College of Art in London, Aditi Nayar, the Director of Kerala Museum and the Founder’s, R Madhavan Nayar, grand-niece is also an artist whose works range across media from video and audio installations to kinetic sculpture, latex, fiberglass, rope and oil on canvas.





For those who would like to contact and visit the Kerala Museum:

Madhavan Nayar Foundation, Pathadipalam, Edappally, Kochi
Ph: 0484 4020506/2541768
Mob: +91 8129051881




Friday, October 9, 2020

From Birds of Kerala Series

 It’s already October, the year is about to finish and we are still fighting the invisible intruder that has wrecked our system. Amid all this life is moving on as can be. Even in such dire times, we are engaged in creating something or the other. The instinct of creativity is intact, rather I gather it has multiplied manifold in various forms and arenas. I would like to take it as something positive though there may be some or many who may disagree.

Along these lines, I had ventured into something I had been harbouring for some time now. Soon there’ll announcements made here in my blog as well as all my other social media platforms, do stay tuned. It’s something pretty exciting for me and for some of my awesome friends and hopefully, it will be too for all of you, my dear readers.

Until then here are some birds from my new series – Birds of Kerala. Four on a page, small size something like artists trading cards(ATC). This is on Hahnemuhle oil/acrylic pad but I am using gouache. Gouache looks quite good too.

Malabar TrogonThey are found in the Tropical forests and coming home in the Western Ghats. So basically I am doing Birds of Kerala, hope to reach somewhere with my collection. This is a male which has a fire-brand deep red belly and I am reminded of Gulmohar, while the female has the colour of burning ember with a beautiful shade of orange! I am so awestruck by these beautiful birds!


Malabar Trogon - male


Indian Cuckoo/ Vishu-pakshi - It is called “Vishu pakshi” (Vishu bird) as it appears with its distinctive call around the Vishu festival.


Indian Cuckoo/ Vishu-pakshi


Great Hornbill/ Vezhambal (State bird of Kerala)Though it’s the state bird, it’s an uncommon sight except in sanctuaries. It’s a nearly threatened bird as we, humans, have constantly been destroying their habitat. They are supposed to be the harbingers of rain. I read somewhere that the Great Hornbill was selected as the State Bird because of its strong family ties as the protector of the family. In some cultures, they are the spirit of God and bring in good fortune when they fly over a household.


Great Hornbill/ Vezhambal 


Cinnamon Bittern or Mazhakocha - Small heron of wet and open grassy areas such as flooded meadows and paddy fields.


Cinnamon Bittern or Mazhakocha 

Most of the images and information are referenced from ebird.org and some other sites. forgot the names as I have been onto it for a couple of months now. This is an ongoing one and am still working on other birds. In case you are interested in purchasing the works or print, do comment or email (it's in my About page) me. Hope you like it. 

What's your current project?

Saturday, May 30, 2020

Landscape Paintings of Kerala

I am taking part in the Art Chain India movement, an initiative that intends to assist and encourage the development of the art community through peer support in this uncertain period. I do believe it's a wonderful way to support each other at this point in time, a program where sale culminates in a buy and that idea is actually good and feasible. If only we had more of such initiatives and I do pray this movement succeeds whereby we can help each other out. 

These artworks were all part of the DISTANT and PERSONAL group exhibition of September 2019 that happened in the Lalithakala Academi Gallery in Kozhikode. All these are landscapes from in and around my native land like Nemmara, Malampuzha, Alappuzha, Kawa and Nelliampathy. They are original works and not prints. Details are given below:

🔗
Titles -

1. Feel the Light



2. Songs of Blue




3. Kawa




4. Island Home




5. Malampuzha in a whimsy




6. Winter Breath



Size - 24.13x17.18 cm (unframed)
Medium - Acrylics on Linen paper
Year - 2019
Price - 4000 INR each (52 USD)+ courier/shipping charges



Please comment below or email me at deepagopal.pkd@gmail.com if you are interested in purchasing the artworks or even prints. These works are part of #artchainindiaI am sharing some works by myself priced under INR 10000/- Every time I reach INR 50000/- I will use INR 10000/- to buy a work of another artist under the Art Chain India and support a fellow artist.





Monday, January 29, 2018

21 Days in my Art World #4 - Final post!

Top post on IndiBlogger, the biggest community of Indian Bloggers


The final post of Tara Leaver's 21 days in my art world...You can see my #1, #2 and #3 here.


Day 16 - Smallest painting

I am comfortable working in small format and I love it! My smallest are ATCs (Artist Trading Cards), of which I don’t have the images. This is the image that was readily available right now, from the Folk series that I had done 2 years ago. It’s a Madhubani painting and is 5x5 in.

In case you are interested in looking at my ATCs from 2009, you will find it HERE.

TwinPeacock-Madhubani-HuesnShades


Day 17 - Largest painting

As mentioned above, I am more comfortable working small scale but since my first curated-coordinated show I started working on bigger pieces. Not very huge though. My biggest in canvas is probably this one which I can’t yet reveal in full.😊 I had done a wall mural in my daughter’s room when in Dubai, don’t have a picture though. That’s my largest!!!

Waiting-detail-HuesnShades
“Waiting” (detail), 
acrylics on canvas, 91.5x91.5 cms.


Day 18 - Celebrate 

Art in India is rich and diverse. Each region/state has its own traditional/folk forms that one is mesmerised by the simple-looking yet complex details that go into it! I am a huge fan of our treasure trove and there’s always a phase when I go back to the roots just to have a feel of that richness and extravaganza that makes our arts so special!!!

Madhubani-temple-mughalmotif-HuesnShades
 Details of Madhubani painting, 
my own attempt at Sree Padmanabhaswami temple
and Mughal motifs

Kolam-and-GoddessSaraswathy-HuesnShades
 Kolam (Rangoli) and Kerala mural painting


Day 19 - From the archives

I had been drawing since a child so I don’t actually remember my earliest drawing nor do I have a picture. It must surely have been scribbles! 😊 
I started archiving when I started blogging in 2009. And if I go back to that time I was engaged in a couple of mediums like digital art, folk art, glass painting, mixed media and acrylics. Art no longer was just a hobby, it turned into my passion. I took art seriously and started working every day...that was in 2011 when I was in Dubai. Since then I try to do art almost every day. 

There's no specific reason for selecting these...I was at a loss to pick from my archives...so these are random choices. All these dates back between 2009 to 2011.

Houseboat-Faces-SongoftheLotus-HuesnShades
 The 'Houseboat' picture is one of the first pictures that sold, bought by a dear friend Soji in Dubai.
'Faces' and 'Song of the Lotus'

Girl-and-Lagoon-Digital-HuesnShades
digital works

The girl was my first profile pic that I had used way back in 2007 - 2009 in Orkut, blog and some sites.
The second I had done for teaching a poem on Lagoon while I was working in a school.


Day 20 - Favourite technique

The raw unfinished look with textures and bright colours is what attracts me the most. I keep experimenting with different techniques and different mediums though. I love the burst and blooms of watercolours and acrylic inks...the dribble and drip of acrylics, the texturing too...love the lines and curves of the pen as well as charcoal. So many options... 😊




Day 21 - Big Dream

Finally, the Big Dream! Of course, there are many!!! Become financially opening up independent totally as an artist, taking art workshops particularly for kids (love interacting with them)... able to travel and be inspired by the changing locales and people and gain more experience and insight, be represented by a gallery, engage in more productive and proactive art, be an eternal learner...take up residencies where I can devote myself entirely to it....and some I can’t reveal right now as they’re still seeds!😊



From “Eye of the Soul series” - study-HuesnShades
From “Eye of the Soul series” - study. Sold.

Thanks a ton Tara Leaver for this challenge as it really opened up so many aspects for contemplation and discourse and to understand my own process as I seriously pondered on it. It is the first time I am writing and posting on all these aspects. It was also wonderful to see so many artists and their varied styles. It’s truly an amazing community!💕🙏